GENERIC Setup Calibration Kit for most 'other' tape machines
Nagravox
Nagravox Calibration kits are different to what you might expect. A lot more than just a calibration tape!
Developed over the last 3 years specifically for discerning audio enthusiasts and professionals, the rationale is to provide an appropriate set of tools, instructions and media to test, calibrate and setup commercial and studio tape recorders. Three resources based on the three fundamental chains of signal processing.
* INPUT OUTPUT CHAIN * PLAYBACK CHAIN *RECORD CHAIN
A cheap short generic reel of tape recorded by an enthusiast to try and make some money from his tape machine on eBay is not realistically going to help you setup and calibrate your machine properly. Calibration is the final step and is not just a process of throwing on a playback tape, tweaking some trimmers and hoping it will all come together. All 3 chains must be considered singly and then together. You also need to understand what gear and instruments are needed and how to use them. Awareness of modern tape formulations, relevant steps, differences, peculiarity's and nuances of a particular model, later factory updates not in factory manuals and hints and tips based on experience make calibration and setup a science and not a hit or miss affair.
The Nagravox calibration kit is designed to setup and calibrate your machine fully and properly. Each kit is tailored for a specific machine and your tape type preferences. Feel confident that your machine is setup and performs the way it was designed and manufactured.
PLEASE NOTE: This GENERIC kit caters for most commercial consumer machines that have 2 speeds but are setup in two different ways.
- Commercial machines that are set-up only at the higher speed on playback. There is no adjustment for the low speed levels or equalisation and they are hard wired derived from the high speed settings. This means most of the popular Japanese, American and European made machines. You still set up the record chain at both speeds just not teh playback chain.
- Semi Pro and Pro machines where playback is set up separately at each speed. You need two playback calibration tapes. Generally for higher end later Japanese and American machines.
- If your machine has 3 speeds please communicate with Nagravox so we can advise accordingly and perhaps make up a special kit for you. Please reference your exact machine make, model, speeds and equalisation.
Nagravox Setup and Calibration kits include:
• Playback calibration tape or tapes
• New fresh record setup tape for calibrating the record chain
• A set of detailed generic instructions, explanations, required equipment (which are not too onerous nor expensive), diagrams and check sheets to coach you on what to do. These are based on a range of generic machines that have come through our workshop over the years and incorporate Nagravox’s personal experience repairing, updating and restoring tape machine’s.
You need to decide:
• Machine model and whether you may want the kit to cater for multiple models.
• Speeds and equalisation
• The tape type and formulation you will be using to set the machine up for. We recommend SM900 or LPR90 but can accommodate SM911, LPR35, ATR Master and ATR MDS36. (All currently manufactured new tape - sadly SM468 no longer manufactured)
The playback calibration tape/s are long length on a 7" special somewhat 'ugly' blue reel (so it can’t be mixed up or easily recorded over in error) and includes a plethora of appropriate length tones (the important ones are in minutes not seconds!) at calibrated levels with full commentary and explanation. Everything on the tape relates back to the calibration manual notes and explanation.
The Record chain tape is a brand new full length 7" tape of the type you will set your machine up on.
Instruction Manuals are requested and sent to you via a download service as a pdf
Do you want add a second machine model or equalisation speed or want to set up on multiple tape types? We offer extra add-on kits for purchasers of this full kit which provides additional options and usability to this base kit in an economical bundle.
SOME GUIDELINES ON TAPE TYPE
- SM900 and ATR Master are durable studio grade mastering tapes able to handle up to +6 to +9 Db saturation with minimal increase in distortion.
- SM911 is a max +3 Db tape. This 'over drive' is not the only difference but I am hesitant to pass comment on nebulous terms such as 'warmth'. You just need to try and decide for yourself. Certainly be circumspect in being guided by www forum hot air and nonsense.
- LPR90, LPR35 and MDS 36 are thinner commercial grade tape with similar (but not exactly the same) magnetic characteristics as their standard play cousins. Their main advantage is economy in that you get 44% more tape and time on a reel. However you dont get something for nothing and lifespan is reduced.
- SM900 (std play) and LPR90 (long play) have similar but not exactly the same magnetic properties despite what the manufacturer implies. Similarly for SM911 / LPR35 and ATR Master / MDS 36 . So setting up on one and using the other could mean a variation of 0.75 - 1.5 Db difference in level between std and long play and the optimum bias will also not be the same.
- How critical is it that I use the exact tape formulation all the time? You can use any tape formulation on any machine no matter what it has been set up on and it will work OK but not optimally. You wont break anything! The key here is 'optimal'.
- How many times can I re record over and play tape. I suggest the following rough use guidelines.
- Re-recording over SM900 / SM911 - 15x LPR35/LPR90/SM468 8x
- Playing pre-recorded. This is dependent on machine but generally I would apply the following based on tape tension and spooling speed / handling:
Commercial machines with one or more rub blocks for tape guides 200 - 400x
Commercial machines with rotating tape guides 300 - 500x
Professional machines with rotating tape guides AND electronic tape tension control 200 - 300x
Test Instrumentation and leads / adapters required for calibration
Our service manuals detail the typical instrumentation you need for calibration. Here is a summary.
- Millivolt meter - analogue not digital ( definately NOT your digital multimeter!)
- Signal Generator - required for inputting record chain pure sine waves at various frequencies and amplitudes. Digital or analogue OK.
- Adapters and cables - quite a few including dummy loads
- Oscilloscope - although not absolutely essential, an oscilloscope is really fabulous to visualise and understand what's happening. Modern ones are mostly really good, not very expensive and boast a range of useful functions such as auto setup and measurements of frequency and amplitude.
Have a look at what we have listed here:
https://nagravox.com/collections/tools/products/audio-signal-generator-new-nagravox-updated
https://nagravox.com/collections/tools/products/calibration-kit-leads-cables-and-adapters
These are nice to have but not really necessary as you can accomplish much with what's already listed.
- Frequency meter
- Wow and flutter meter
Servicing Brands...
